War Photography: The Anti-War Impasse
How do we respond to suffering in the present without the benefit of historical distance? Amir Nassar suggests we reconsider how we engage with images of suffering.
Robert Capa
Stealing from a Thief
What did Michal BarOr do with the Pandora’s Box A. has left on her doorstep? Yair Barak describes the circles of guilt engendered by BarOr’s work, A Non-Private Collection, about a stolen suitcase full of photographs, with hope at the bottom.