War Photography: The Anti-War Impasse
How do we respond to suffering in the present without the benefit of historical distance? Amir Nassar suggests we reconsider how we engage with images of suffering.
How do we respond to suffering in the present without the benefit of historical distance? Amir Nassar suggests we reconsider how we engage with images of suffering.
“There is no curatorial passivism, any more than there is a passivist war.” Michal B. Ron reviews Maura Reilly’s book Curatorial Activism: Towards an Ethics of Curating and adds a note about the heroless politeness of the recent Berlin Biennial.